I have spent more time than usual looking at photos of yarn lately. I’ve come to really appreciate the importance of taking nice photographs of yarn and things made with yarn.
I’ve taken my fair share of crummy pictures, sometimes because I don’t know how to take better photos, and sometimes because the desire to have photos overrides the desire to stop and take good photos.
But especially if you’re intending your photos for anything more than just preserving memories it really makes a difference to know what you’re doing.
Take a look at Jared Flood’s photos in this blog post, the Yarnista’s photos of places and the yarn color ways they inspired in this blog post, and the photos Anne Hanson posts on her blog.
I went to art school but I transferred as a sophomore directly into my major. Even though I did a summer school intensive I really missed out on the freshman foundation. One of the things I missed was developing a skill for really looking at things. It’s one of the reasons I struggle with drawing things accurately – I draw them the way I know them to be instead of the way they appear to be (I can’t draw things in perspective worth a damn).
I’m trying to spend more time looking at good photos to begin to identify what makes them good photos. One key thing is the light – we all know the flash usually makes things look awful, but it’s hard to find the right light: too bright and things look harsh, too dark and things have deep shadows.

This is a skein of Cascade 220 Heather, photographed on my bed. I like the way the color turned out, it’s very close to actual. I don’t like the visual clutter in the background, and I don’t like the slightly harsh light on the right side of the photo. I think the green sheet is a nice backdrop for this color, but in general I think a more neutral backdrop would be better.
This is a skein of Zephyr lace weight, again taken on my bed (this is while I really couldn’t get around after my surgery!) It’s too dark, there are too many shadows on the bed, and you really can’t tell that there’s a gorgeous sheen with this yarn. It doesn’t do it justice at all.
Here we have a skein of Mountain Colors Twizzle, a beautiful 85% Wool / 15% Silk yarn. This is taken on my kitchen table, which at the moment is covered with a clear vinyl tablecloth. The light is nice, the color is true, but again there’s visual distraction in the background and on the table.
Here’s the scarf that I’m making from the Mountain Colors yarn. The color is a little bit washed out, and the table is still distracting, but I like how I framed the shot closer so there are fewer distractions.
Then I remembered that the Italian (my husband) had made a photo light tent so I gave that a try.
Here’s the first photo of a really pretty Cascade 220 Quatro:
It doesn’t really capture the depth of the color and there’s too much shadow.
It’s much better cropped, but still nothing to write home about.
One last photo: another skein of Cascade 220 Quatro, again photographed in the homemade light tent. It’s a little better, but it just doesn’t glow.
Still work to be done, but at least I’m starting to really look at the photos!